A model wears a creation as part of McQueen Men's Spring-Summer 2019 fashion collection presented in Paris, Friday June 22, 2018. (AP Photo/Thibault Camus)

Bright colors, odd shapes, huge crowds for Paris menswear

June 23, 2018 - 11:22 am

PARIS (AP) — Paris' frenetic menswear shows are highlighting bright colors and odd shapes as they attract huge crowds and VIPs to top collections.

Thom Browne transformed a chic Paris inner courtyard into a garden wonderland that showed off his dramatically oversized clothes and wacky, off-kilter vibe. The designer also included big thick coats for his summer collection, fusing the seasons of the fashion calendar.

The Japanese fashion house Sacai mixed men's and women's designs with geometric prints, checks and denim and focused on vivid colors.

Here are some highlights from Saturday's runway shows.


Floating multicolored balloons, giant lollypops, garden gnomes, colored origami windmills and myriad blooms spilling from colored pots greeted guests at the Leftbank's Ecole des Beaux Arts.

To showcase his summer designs Saturday, Thom Browne transformed the chic Paris inner courtyard into a verdant garden wonderland.

It drew comparisons to Alice in Wonderland, Willy Wonka's factory and even Munchkinland as models with comic beards pretended to mow the lawn with metal contraptions or push a wheelbarrow full of flowers. One "gnome" model even climbed inside a tiny garden shed and stayed motionless the entire show.

Browne's dramatically oversized clothes continued the wacky, off-kilter vibe.

A sheeny sky blue coat with images of whales opened the show, introducing a beautifully random maritime theme that continued in lobsters and crabs.

Sloping-shoulder suit jackets, oversize coats, bags and billowing culottes were imagined in picnic blanket-style crisscross. For the 60 looks, it was stripes and check galore. A double breasted coat-jacket in gray had blown-up pinstripes with the dominant silhouette of a wide, flat front.

All of the designs were accessorized with a bowler hat with a flower in it, a colored tie and gargantuan striped platform shoes.



Thom Browne's decision to include big, thick coats for his summer collection triggered a debate between two front-row fashion editors.

"Winter coats for summer?" asked one, puzzled.

"The seasons are almost the same in the industry now, anyway," answered the other, with some truth.

Progressively over the years, spring-summer and fall-winter fashion seasons have become increasingly blurred. Winter clothes such as big sweaters and big coats are no stranger to the summer catwalks. Often, summer shows are now distinguishable only for their brighter color palette and the occasional pair of shorts — and even that garment has been spotted in some winter shows.

Critics cite several reasons for the seasonal blur.

Summer collections are first available to buy during the winter months and the proliferation of social media means that more people see, and therefore want, to wear the clothes months earlier than in past decades.

Global warming has also been blamed for designers' desire to mix up their styles given that the seasons themselves are less predictable than before.



A multicolored cube of giant speakers tied together with fluorescent yellow banding greeted guests at Sacai's warehouse show, suggesting that a quirky, avant-garde show was coming from one of Japan's top fashion houses.

That was not wrong.

Men's and women's designs merged in the diverse 57-piece show from Sacai, with geometric prints, checks and denim all mixing with silhouettes. Some coats or billowing skirts had exaggerated tapering proportions.

The one thing that created unity in this eccentric display was its vivid colors: purple, dark navy, bitter lemon, crimson and bronze. At times, the bright hues came on printed and patterned garments that evoked the ethnic styles of Latin America.


Thomas Adamson can be followed at Twitter.com/ThomasAdamson_K

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